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PAST HEARINGS

Public Performance of Music - List of Evidence Filed
Concerts - SOCAN Tariffs 4, 5.B (1992-1994)

Please note that the list is posted in the language in which it was filed.
The Society of Composers, Authors and Music Publishers of Canada (SOCAN)
SOCAN-1: Pre-Hearing Memorandum
[filed April 8, 1994]
SOCAN-2: Tables 1 to 5 showing fees under each tariff in issue in the years 1990-1993 and the number of concerts represented by the fees and the number paid at minimum rates
[filed April 13, 1994]

Table 3-A (Minimum rate events and royalties)
[filed April 25, 1994]

Table 5-A (Tariff 4.B - Number of events by level of royalties paid - showing ACO concerts separately)
[filed May 10, 1994)

Table 5-B (Tariff 4.B per event concerts - Minimum rate events and royalties)
[filed May 10, 1994]
SOCAN-3: Tariff 4.B - Concerts: Proportion of Copyright and Public Domain Music (in duration, in 1,969 concerts processed by SOCAN for the first two quarters of 1993)
[filed May 3, 1994]
SOCAN-4: Tariff 4.B - Concerts: Proportion of Copyright and Public Domain Music (by title, in 1,969 concerts processed by SOCAN for the first two quarters of 1993)
[filed May 10, 1994]
SOCAN-5: SOCAN royalty distribution patterns, showing separately the royalties distributed to SOCAN members living in Québec - Concert distributions for the 2nd, 3rd and 4th quarters of 1992 and the 1st quarter of 1993
[filed May 10, 1994 under No. 1 of Gilles Marc Daigle's letter re: SOCAN Undertakings]
SOCAN-6: Information concerning concerts, licence fees and distribution of royalties pertaining to the $2,616 SPACQ witness Richard Séguin indicated he received in 1993 for various concerts (Schedules A, B, C and D attached demonstrating SOCAN's concert distribution rules)
[filed May 20, 1994]
SOCAN-7: List of 1992 and 1993 Tariff 4.A/5.B licensees whose names appear on the CAMP membership list appended to the SOCAN-CAMP agreement
[filed May 20, 1994]
SOCAN-8: Proportion of licensed events referable to CAMP members, for both Canada and Québec, 1992 and 1993 (in reference to Exhibit SOCAN-2, Table 2)
[filed May 20, 1994]
SOCAN-9: Proportion of total royalties referable to CAMP members, for both Canada and Québec, 1992 and 1993 (in reference to Exhibit SOCAN-2, Table 2)
[filed May 20, 1994]

Société professionnelle des auteurs et des compositeurs du Québec (SPACQ)
SPACQ-1: Mémoire de la SPACQ
[déposé le 30 mars 1994]
SPACQ-2: Rapport d'étude de Richard Paradis (Le Groupe CIC) du 24 janvier 1994 au soutien de l'argumentation présentée par la SPACQ dans sa demande d'intervention
[déposé le 24 janvier 1994]
SPACQ-2.A: Rapport d'étude intitulé »La circulation du spectacle vivant au Québec« Ministère des affaires culturelles du Québec - Décembre 1991
[déposé le 24 janvier 1994]
SPACQ-3: Rapport annuel d'exploitation des diffuseurs de spectacles membres de RIDEAU (le réseau indépendant des diffuseurs d'événements artistiques unis) - Août 1993
[déposé le 30 mars 1994]
SPACQ-4: Relevés des redevances de la SOCAN à Luc Plamondon/Royautés reçus en 1992 par trimestre
[déposé le 25 avril 1994]
SPACQ-5: Coûts de production de spectacles préparé par R. Vinet
«Gestion SON IMAGE»
[déposé le 25 avril 1994]
SPACQ-6: Coûts de production/présentation de spectacle préparé par Richard Séguin
[déposé le 25 avril 1994]
SPACQ-7: Tableau de Statistique Canada intitulé "Using the census to analyze the cultural labour force" tiré de Focus on Culture, Spring 1994 (3 pages)
[déposé le 26 avril 1994]
SPACQ-8: Clarifications au sujet des pourcentages - graphique de la page 136 vs ceux au numéro 5 de la page 142 - du rapport "La circulation du spectacle vivant au Québec"
[déposé le 31 mai 1994]

Carleton University
CARLETON-1.A: Statement of Case
[filed March 25, 1994]
Addendum to Statement of Case
[filed April 27, 1994]
CARLETON-1: Canadian League of Composers (CLC) Bulletin, August 1993
[filed March 25, 1994]
CARLETON-2: SOCAN Probe, Vol. 3, No. 8, August 1992, p. 1-2
[filed March 25, 1994]
CARLETON-3: SOCAN Probe, Vol. 3, No. 7, July 1992, p. 2
[filed March 25, 1994]
CARLETON-4: SOCAN Probe, Vol. 4, No. 7, July 1993, p. 1-3
[filed March 25, 1994]
CARLETON-5: Espace Musique Statement of Revenue and Expenditure, 1992/1993
[filed March 25, 1994]
CARLETON-6: SOCAN Probe, Vol. 3, No. 3, March 1992, p. 1
[filed March 25, 1994]
CARLETON-7: Statistics Canada Inflation Rates (1983-1992)
and CPI (1983-June, 1993)
[filed March 25, 1994]
CARLETON-8: Excerpt of Classical Music Magazine, April/May 1994: "Classical Music Magazine's National Bestseller List"
[filed April 27, 1994]

Canadian Arts Presenting Association (CAPACOA)
CAPACOA-1A: Pre-Hearing Memorandum
[filed April 8, 1994]
CAPACOA-1: Distribution of Presenting Expenses
[filed April 8, 1994]
CAPACOA-2: Provincial Government Operating Funding to Presenters, by Province
[filed April 8, 1994]
CAPACOA-3: Sample of Small Presenting Organizations in Western Canada
[filed April 8, 1994]
CAPACOA-4: Financial Summary by Region and Type
CAPACOA-4A: Expense and Revenue Distribution
[filed April 8, 1994]
CAPACOA-5: Statement of Objection Petitions (Tariff 4.B)
[filed April 8, 1994]
CAPACOA-6: Monitoring Touring Sales Activity Across English Canada (CAPACOA 1992)
[filed January 31, 1994]
CAPACOA-7: Tables 4.16, 4.17 and 4.19 from the Canadian Arts Consumer Profile (Communications Canada, 1992)
[filed April 8, 1994]
CAPACOA-8: Letter sent by CAPACOA to canadian member organizations concerned with Tariff 4
[filed on April 28, 1994]
CAPACOA-9: Proposed Tariff 4.B for 1994 by CAPACOA
[filed April 28, 1994]
CAPACOA-10: Addendum to contracts between the Kaslo Concert Society and performing artists or their agents
[filed April 28, 1994]
CAPACOA-11: Circumstances under which proposed alternative structure for Tariff 4.B could receive wider application (Circumstance 1, 2 and 3)
[filed May 25, 1994]

Live Entertainment
LIVE-1: Pre-Hearing Memorandum
[filed April 8, 1994]
LIVE-2: Letter dated 8 April 1994 from Professor Oskar Morawetz, canadian composer
[filed April 8, 1994]
LIVE-3: Curriculum Vitae of Stephen Cera
[filed on April 27, 1994]
LIVE-4: Table - Point Form - "Comparison of Royalties for Hypothetical Concert 1000 Seat Theatre, Full House"
[filed on April 28, 1994]
LIVE-5: Bar Chart - "Comparison of Royalties for Hypothetical Concert 1000 Seat Theatre, Full House"
[filed on April 28, 1994]
LIVE-6: Correspondence exchanged between Live Entertainment and SOCAN
(letter dated June 17, 1993 from Daniel D. Brambilla to Paul Spurgeon; letter dated July 30, 1993 from Daniel D. Brambilla to Paul Spurgeon; letter dated August 3, 1993 from Paul Spurgeon to Daniel D. Brambilla; letter dated August 11, 1993 from Daniel D. Brambilla to Paul Spurgeon)
[filed April 28, 1994]
LIVE-7: Letter dated May 9, 1994 in which Mr. Mark S. Hayes advises that the estimates of the percentage of licensed materials contained in the various programs presented at the Recital Hall during 1993/94 were based on estimates of the total length of the works being performed

and

List of the works written by Canadian composers and performed during the 1993/94 season at the Recital Hall
[filed May 9, 1994]
LIVE-8: Confidential information re: sponsorship income received by Live Entertainment for the 1993-94 classical music series at the North York Performing Arts Centre
[filed May 31, 1994]
CAMP-1: Statement of Case
[filed April 8, 1994]